American Literary Realism
Description: For over forty years, American Literary Realism has brought readers critical essays on American literature from the late nineteenth and early twentieth centuries. The whole panorama of great authors from this key transition period in American literary history, including Henry James, Edith Wharton, Mark Twain, and many others, is discussed in articles, book reviews, critical essays, bibliographies, documents, and notes on all related topics. Each issue is also a valuable bibliographic resource. Recent issues have included essays on Jack London and Charlotte Perkins Gilman.
Coverage: 1999-2018 (Vol. 32, No. 1 - Vol. 50, No. 2)
The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.
- Terms Related to the Moving Wall
- Fixed walls: Journals with no new volumes being added to the archive.
- Absorbed: Journals that are combined with another title.
- Complete: Journals that are no longer published or that have been combined with another title.
Subjects: Language & Literature, American Studies, Area Studies, Humanities
Collections: Arts & Sciences VIII Collection
Kate Chopin "The Story of an Hour" Critical Analysis Essay
1377 WordsDec 17th, 20126 Pages
Professor Mario Garcia
11 October 2012
Self-Identity, Freedom, and Death in Kate Chopin’s “The Story of an Hour” The story of an hour by Kate Chopin introduces us to Mrs. Mallard as she reacts to her husband’s death. In this short story, Chopin portrays the complexity of Mrs. Mallard’s emotions as she is saddened yet joyful of her loss. Kate Chopin’s “The Story of an Hour” argues that an individual discover their self-identity only after being freed from confinement. The story also argues that freedom is a very powerful force that affects mental or emotional state of a person. The story finally argues that only through death can one be finally freed. Kate Chopin’s “The Story of an Hour” argues…show more content…
Based on the insights on Mrs. Mallard’s discovery of her self-identity, we can conclude that people who have been confined for too long are robbed of their self-hood. The restraining of one’s self-hood can be defined by whomever or whatever is binding their will. It is also evident that one can only achieve their true self when they are released from confinement. Kate Chopin’s “The Story of an Hour” also argues that freedom is a very powerful force that affects the mental or emotional state of a person. The mental and emotional state Mrs. Mallard had experienced had been a peculiar one. The sense of freedom came to her as an unfamiliar feeling that perhaps she had long forgotten as she was deprived of it for a long time. The strangeness of what she was feeling made her think that there was “something coming to her […] creeping out of the sky, reaching toward her” (Chopin 281) implying a confused mental state. This unfamiliar feeling of joy she is experiencing could be only one thing, the ecstasy of being free. It had been playing with her mind. The overpowering thoughts of freedom are so peculiar to her that she doesn’t recognize it and she doesn’t know how to emotionally react to it. Through this unfamiliarity her mental state went rampant with fear thinking that it is a force of horror that was out to harm her. After a moment of resenting this feeling, Mrs. Mallard finally abandons her fight to “beat it back” (Chopin